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The Partner Paradox: Why America's Strongest Allies Are Ceding The Field

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@ 21/08/2026

TOPSHOT-ARMENIA-US-POLITICS-DIPLOMACY

TOPSHOT - Armenian Prime Minister Nikol Pashinyan welcomes US Vice President JD Vance prior to their meeting in Yerevan on February 9, 2026. (Photo by KAREN MINASYAN / AFP via Getty Images)

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As the United States rolls out a new global geostrategy centered on burden-sharing and burden-shifting, it is discovering that many of its allies and partners lack the capabilities to assume greater responsibility for regional security. France is a case in point, with its international influence eroding as its ability to shape the wars in Ukraine and the Middle East has fallen short of its ambitions and rhetoric. This decline is particularly evident in the Middle East, where President Emmanuel Macron repeatedly clashed with Donald Trump on Gaza, the Persian Gulf and Lebanon, and in the South Caucasus, where the geopolitical consequences of both conflicts are converging. For Paris, the region has thus become a revealing test of the limits of French power and its ability to act as a meaningful security provider beyond Europe.

France said on Aug. 8 that Baku and Yerevan had taken “important and courageous steps” toward peace, while calling for a formal agreement, the reopening of borders, and regional connectivity, and reaffirming European support for their sovereignty and territorial integrity. On Aug. 18, 2026, Armenian Prime Minister Nikol Pashinyan met in Yerevan with U.S. Congressman Abraham Hamadeh (R-AZ) to discuss deepening Armenia-U.S. ties across the political, economic, and technological spheres, as well as implementation of the TRIPP transport project. The meeting came amid growing pressure from Moscow, after Russian Deputy Foreign Minister Mikhail Galuzin warned on Aug. 11 that Armenia needed to hold a referendum by December 2026 to choose between EU and EAEU membership, or face Kremlin-led countermeasures. On the same day, marking the first anniversary of the Aug. 2025 Trump-hosted White House summit, the United States, Armenia, and Azerbaijan credited the meeting with ending decades of conflict and highlighted progress toward border normalization.

Despite its official support for the Armenia-Azerbaijan peace process, France has been largely missing in action in the South Caucasus, especially since the end of the 2020 Karabakh War. This reflects Paris’ difficulty adapting to the region’s new strategic realities, particularly Azerbaijan’s emergence as the preeminent regional actor and Turkey’s expanding role. France has not only failed to improve ties with Baku, but its traditionally close relationship with Yerevan has also suffered as Armenia has sought to diversify its partnerships beyond Europe and Russia to the U.S. As a result, Paris has found itself with limited leverage in a region where its diplomatic ambitions have outpaced its ability to shape events.

France’s post-Soviet role in the South Caucasus began as a formal, balanced mediator – its unique seat as the only European member of the OSCE Minsk Group gave it institutional standing on the Karabakh conflict for three decades. Critics argued this format let Russia manage and freeze the “cold conflict”, inserting itself into the strategic region rather than resolving the dispute, and even during this period ties with Baku were consistently strained by Azerbaijani suspicion of French bias toward Yerevan.

After 2018, driven by Pashinyan’s rise, deteriorating Armenia-Russia relations, the Second Karabakh War, and a large domestic Armenian diaspora, France’s posture shifted sharply toward Armenia, producing largely symbolic gestures like the 2020 Senate resolution and public criticism of Azerbaijan’s 2023 offensive that further soured relations with Baku. This tilt left Paris looking partisan and irrelevant rather than balanced, just as Baku and Yerevan began pursuing direct normalization. By 2025-2026, France’s influence appeared to be waning further still, with reports that Pashinyan had moved to curb French sway within his own government in favor of closer ties with Washington, leaving France with poor relations with Azerbaijan and diminishing leverage with Armenia alike.

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In late July 2026, Pashinyan removed Araik Harutyunyan, who had headed his office since 2021, officially citing the need to adjust the government’s priorities and transition to a new phase. European and Ukrainian sources, however, allege that Harutyunyan had been recruited by French intelligence and was passing political assessments and information about Pashinyan’s plans to Paris – claims that remain unverified but, if accurate, would cast the dismissal in a very different light.

The appointment of Lilit Makunts, Pashinyan’s former ambassador to Washington and chief adviser, as Harutyunyan’s replacement further suggests a shift in the prime minister’s inner circle away from French influence and toward the United States. Taken together, the reshuffle may signal that Pashinyan is recalibrating Armenia’s external partnerships as the regional balance changes, with Washington increasingly displacing Paris as Yerevan’s preferred Western interlocutor.

The episode in Armenia is therefore less important for what it says about one official than for what it reveals about the broader erosion of French strategic influence. Paris has spent years trying to preserve a global role that increasingly exceeds its ability to shape events, leaving it poorly positioned to adapt when regional power balances shift. The pattern is evident not only in the South Caucasus but also in Africa, where France has been pushed out of several traditional post-colonial spheres of influence, particularly in the Sahel, forcing it to recast its approach toward the continent.

The Middle East has presented a subtler version of the same problem, with Paris retaining diplomatic and economic ties but struggling to translate them into commensurate strategic leverage, underscoring the widening gap between France’s strategic ambitions and its ability to shape outcomes beyond Europe.

Even within Europe, France has struggled to translate its political weight into continental leadership, despite Brexit and Germany’s prolonged economic and political difficulties creating an apparent opening for Paris. The problem is compounded by an EU that has passed its post-Cold War peak and is increasingly divided and incoherent, limiting France’s ability to mobilize the bloc behind any strategic agenda, let alone Paris’s. To a significant extent, this flies in the face of the new U.S. geostrategy, which is pressing European allies to assume greater responsibility for their own security rather than relying on Washington to underwrite the continent, a shift that has intensified debates over burden-sharing and strategic autonomy. The ongoing war in Ukraine has magnified these pressures by exposing Europe’s military shortcomings, straining national finances and political cohesion, and forcing European governments to confront security challenges that they had long assumed the United States would manage.

The war in Iran is also reshaping the South Caucasus by accelerating Armenia’s departure from the geopolitical order centered on Moscow and Tehran. As Iran weakens under U.S. and Israeli pressure, Yerevan has fewer incentives to preserve its traditional alignment with Tehran and greater reason to deepen ties with Washington while normalizing relations with Azerbaijan and Turkey. This is producing a broader realignment in which the United States, Israel and Turkey are increasingly shaping the South Caucasus through their expanding influence in the Middle East. France and other European allies, despite their relative geographic proximity, are largely absent from this process, constrained by the war in Ukraine and the resources and political attention it continues to consume.

The broader lesson is that the South Caucasus illustrates the central challenge of America’s new geostrategy: Washington increasingly expects allies and partners to shoulder primary security responsibilities in their respective regions rather than relying on the United States to do so. In the strategically vital South Caucasus, wedged between two of America’s three principal adversaries – Russia and Iran – Washington is still a relative newcomer and therefore needs capable regional partners to translate its growing engagement into lasting influence. Yet the paradox is that some of America’s most advanced allies, such as France, Germany, and U.K, have proved less able to fill that role. %!s()

Lil Rel Howery Talks ‘Haunted Heist,’ Comedy And Building His Own Lane

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@ 21/08/2026

53rd Annie Awards

LOS ANGELES, CALIFORNIA - FEBRUARY 21: Lil Rel Howery attends the 53rd Annie Awards at Royce Hall on February 21, 2026 in Los Angeles, California. (Photo by Rodin Eckenroth/Getty Images)

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Lil Rel Howery has been in the game for nearly two decades, and he’s spent that time making a strong case that being funny is just the beginning. His early comedy credits date back to 2007, but Howery has never been content to stay in one lane, moving from stand-up into television, film, writing and producing along the way. For plenty of moviegoers, his breakout as TSA agent Rod Williams in Get Out made him impossible to forget—a role that turned him into the friend everybody wanted in their group chat during a horror movie.

Now, with Haunted Heist, his feature directorial debut, Howery is stepping behind the camera while also starring in and executive producing the horror comedy. For him, directing doesn’t feel like a career pivot so much as the natural next move. After nearly two decades in Hollywood, he’s learned that longevity means knowing how to do more than one thing. Directing isn’t a new direction so much as another part of the toolkit he’s been building all along.

ATLANTA, GEORGIA - JULY 15: Lil Rel Howery speaks onstage during the premiere of "Haunted Heist" at Regal Atlanta Station on July 15, 2026 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for Haunted Heist)

Getty Images for Haunted Heist

Lil Rel Howery Found His First Love In Horror

Howery’s love for filmmaking started long before he was making movies. He grew up watching horror, with Michael Myers among his favorite icons, along with the early A Nightmare on Elm Street films and Halloween. But the original It really got him.

When the television adaptation aired, Howery remembers it becoming a full-on cultural moment, with kids showing up to school the next day comparing notes about who was scared, who was terrified and who was definitely not sleeping with their feet hanging off the bed. At the time, clowns were supposed to mean happiness. Birthday parties. Balloons. Somebody handing you a cupcake. Then Pennywise showed up and ruined the whole concept. “It was an event,” Howery recalls.

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That love of cinema is also why Howery takes the moviegoing experience seriously — concessions included. Unlike the people who arrive with a purse full of snacks like they’re preparing for a six-hour flight, Howery says he buys his food at the theater. He gets there early and times his concession run with the trailers because, unlike a lot of us, he actually enjoys watching them. “I earn my pay,” he jokes.

It’s a small detail, but it says a lot about how genuinely Howery loves movies. He isn’t just somebody who makes them; he still approaches the theater like an audience member. He respects the ritual. He wants his snacks. He wants to see the trailers. He wants the whole experience — no shortcuts, no sneaking in contraband, just vibes and a properly timed concession run.

Howery Turns Collaboration Into His Directing Philosophy

That same enthusiasm carried onto the set of Haunted Heist, where Howery took a hands-on approach to directing. He wasn’t just directing and producing; he was also rewriting the script and starring in the movie.

He says he would take the script home every night, making adjustments based on what the actors were bringing to the production. The goal wasn’t simply to get through the pages. He wanted everyone on set to feel “seen and heard,” particularly on a lower-budget production where every person has to be fully invested in making the movie work. “These are your collaborators,” he says.

That collaborative mindset carried into casting, too. Some of Howery’s longtime friends, including Tiffany Haddish, came into the film through offers, but he still wanted auditions for several other roles. Among them were Detroit comedians Tara Terry, Joe Blunt and Martini Harris.

Terry, who plays the grandmother, already opens for Howery on the road, making her casting another example of his interest in bringing people from his comedy circle into the filmmaking family. Howery says he personally watches auditions, even when an actor has only one line. “I’m a very proactive person,” he says.

ATLANTA, GEORGIA - JULY 15: Lil Rel Howery attends the premiere of "Haunted Heist" at Regal Atlanta Station on July 15, 2026 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for Haunted Heist)

Getty Images for Haunted Heist

Why Howery Let Detroit Become Part Of The Cast

Detroit wasn’t just where Haunted Heist happened to shoot. Several of the producers live in the city, but Howery says the locations ultimately helped seal the deal. The production filmed at Berry Gordy’s first mansion and the Detroit Masonic Temple, while also drawing on local crews and talent.

For a movie about a group of people making some very questionable decisions, the city brought plenty of personality to the frame. “Detroit just has so much personality for what we’re trying to do,” Howery says.

That was part of the appeal. Howery wanted the city to feel like more than a backdrop — its architecture, people and energy all helping shape the identity of the movie.

How Howery Learned From the Greats, Then Got Personal

As a first-time director, Howery also leaned on filmmakers he admires. He calls himself a film and television nerd — a fair assessment for somebody who can rattle off Rob Reiner, John Singleton, Jordan Peele and Ryan Coogler as influences without missing a beat. Ava DuVernay and Shawn Levy also offered guidance as he prepared for the project.

But studying other directors, Howery says, isn’t about trying to become the next version of somebody else. You can take the notes, study the greats and borrow a little inspiration. Eventually, though, you have to determine what’s yours. “You have to figure out what your own style is and bring what you think you can do better.”

One of those instincts was making room for emotional vulnerability between Black men. A scene between Howery and Karlous Miller’s characters centers on two friends confronting their relationship, apologizing and reconnecting. Howery wanted the moment to feel genuine, including the way the two friends embrace. Rather than the quick dap or shoulder pat that often stands in for affection between Black men on screen, he wanted them to actually be vulnerable with each other.

It’s a small moment, but an intentional one. Howery wanted to show Black men being open with one another without the moment immediately becoming a joke or somebody feeling the need to pull back. The friendship gets to be tender. The emotion gets to sit there. And nobody has to apologize for it.

Friendship Keeps Howery Grounded Beyond The Spotlight

That theme of friendship hits close to home for Howery, too. He and Tiffany Haddish have been friends for roughly 20 years, and with their birthdays only a couple of weeks apart, they’ve had plenty of reasons to celebrate.

Over the years, that has included trips to Hawaii with friends. But Howery remembers those getaways less for the celebrity factor than for the chance to simply hang out—hit the gym, spend the holidays together and, for a few days at least, just be regular people.

That’s the kind of community Howery seems to value most: the people you can laugh with, grow with and still call when the cameras are off. He’s built his career alongside comedians he came up with, stayed close to the people who helped him along the way and now looks for ways to bring more people into the circle.

JIMMY KIMMEL LIVE! "Jimmy Kimmel Live!" airs every weeknight at 11:35 p.m. ET and features a diverse lineup of guests that include celebrities, athletes, musical acts, comedians and human interest subjects, along with comedy bits and a house band. The guests for Wednesday, July 8 included guest host Tiffany Haddish, Lil Rel Howery, and Shameik Moore ("Power Book III: Raising Kanan"). (Disney/Randy Holmes)LIL REL HOWERY, TIFFANY HADDISH (Photo by Randy Holmes/Disney via Getty Images)

Disney via Getty Images

From Breaking Through To Opening Doors With Howery

That commitment to community extends beyond Haunted Heist and into Howery’s work in comedy. He is entering the third year of the What’s Funny? Comedy Festival, which he created to give Black and Brown comedians a bigger platform.

After experiencing festival circuits where comedians of color could sometimes feel relegated to separate or secondary showcases, Howery wanted to build something different: a space where comedians could show up as themselves without having to water down their style or explain why their comedy works.

The festival is also Howery’s way of giving back to stand-up, the art form he credits with changing his life. He says he and his partner, Knowledge Beckom, have funded the festival out of pocket, and this year’s programming will include a master class and an honor for Bill Bellamy. “I want to make sure we give flowers to people who paved the way,” he says.

For Howery, giving back means honoring the people who came before him while making room for those coming next. He knows what it means to benefit from someone else opening a door. Now, he’s focused on making sure there are more doors to walk through.

How Independent Filmmakers Are Taking Back Control

That belief in creating new opportunities also shapes how Howery thinks about independent film.

Haunted Heist reached roughly 390 theaters through direct relationships with exhibitors, with Howery describing a 50/50 split with theater owners as an important part of the deal. He sees the arrangement as proof that filmmakers can build stronger relationships with theaters without always having to go through a major studio. He credits distributor Variance Films for being willing to invest in the filmmakers and their vision.

Howery believes there is an appetite for independent movies, particularly when filmmakers are willing to take risks. “I just think you get hungrier filmmakers when it’s not balloon budgets,” he says.

That hunger is part of what makes Haunted Heist meaningful to him. The movie’s success isn’t simply about getting one film into theaters; it’s about proving there are other ways to get movies in front of audiences—and that filmmakers can build those paths without waiting for a major studio to open the door.

A Movie Fan’s Next Chapter Behind The Camera

That willingness to build outside the traditional system is consistent with Howery’s larger career philosophy. He still loves performing and acting, but says he has become more selective about his on-camera work. These days, writing, producing and directing feel less like separate jobs and more like different parts of the same creative process.

Jonathan Simon, a writer and director at 369 Curated, sees being a multi-hyphenate as a way to take control of the stories being told. “I think we have the ability to bring a perspective and nuance to stories that get overlooked regularly,” he says. He believes specificity is a strength, particularly in representation: “For so long, Black characters have been seen through someone else’s lens, so there is power in being able to control how we are represented.” As a creative working across multiple disciplines, Simon adds, “Each facet has made me better at the others. These days, you wear multiple hats because you have to.”

Directing, in particular, is the part he’s most excited to keep exploring. But he’s also very much a movie fan—even when his own name is in the credits.

Howery saw Haunted Heist in theaters and says he’s watched it several times at home since its release, just as he has with other films he’s made. It’s a fitting detail for someone who spent years loving movies before he ever started making them. After all the work that goes into getting a film from script to screen, Howery still wants to do what he’s always done: sit down, get his snacks and watch the movie.

More Than One Title, One Vision For Howery

Howery’s career has always been about being multidimensional. But with Haunted Heist, he’s taking that idea a step further. He isn’t simply looking for another lane in Hollywood; he’s making more room for himself, his collaborators and the people coming behind him.

He’s directing. He’s producing. He’s mentoring. He’s creating opportunities. But underneath it all, the mission hasn’t changed: make people laugh, tell good stories and keep finding new ways to do both.

Maybe that’s the real evolution. He isn’t reinventing himself so much as expanding what Lil Rel Howery can be. The comedian is still there. The actor is still there. Now there’s a director in the mix, too. And if his career has taught him anything, it’s that there’s no reason to stop at one title when you can build a career that holds them all.

NEW YORK, NEW YORK - MAY 13: Lil Rel Howery speaks onstage during the 28th Annual Webby Awards at Cipriani Wall Street on May 13, 2024 in New York City. (Photo by Rob Kim/Getty Images for The Webby Awards)

Getty Images for The Webby Awards

Toy Story 5 Limited-Edition 4K Steelbook Sells Out Immediately at Every Retailer

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@ 21/08/2026

Blythe Dujardin Avatar

Updated

: Aug 21, 2026 4:42pm UTC

The 4K Blu-ray releases for Toy Story 5 went up for preorder this morning. Unfortunately for any collectors, however, the previously announced limited edition steelbook has already sold out across retailers.

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Intergalactic: The Heretic Prophet Cast Expands With Uncharted, The Last of Us Veteran

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@ 21/08/2026

Veteran voice actor Robin Atkin Downes has confirmed his involvement in Naughty Dog's upcoming Intergalactic: The Heretic Prophet, following previous work on the Uncharted and The Last of Us franchises.

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Tesla Designer's V8-Powered Pontiac Solstice Charms Jay Leno - Jalopnik

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@ 21/08/2026

Franz von Holzhausen is a name synonymous with Tesla. He designed the Model S, which was far more appealing than every other EV at the time with a mainstream yet attractive appearance, likely responsible for a great deal of the car's early success. But von Holzhausen didn't always work for Tesla. Before that, he spent time at Volkswagen, Mazda, and General Motors. During his time at GM, he worked closely with then-CEO Bob Lutz to pen a small, affordable roadster to do battle with the Mazda Miata. That's right, the guy who famously broke the Cybertruck's unbreakable windows is the same guy who designed the Pontiac Solstice.

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