Look Back is one of 4 movies getting the 4K UHD treatment thanks to GKIDS
Chainsaw Man creator's emotionally devastating movie is getting a physical release
A still from Look Back (2024)Image: GKIDS
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GKIDS has announced that anime Look Back is finally getting a physical release. The 2024 film adapts the 2021 manga of the same name by Chainsaw Man creator Tatsuki Fujimoto. Pre-orders for the special collector's edition are now live and expected to ship this summer.
Distributor GKIDS announced the release during this year's Anime Expo in Los Angeles. Look Back follows the intertwining stories of Fujino and Kyomoto, two young artists both pursuing their dreams. The two start as rivals but grow into something more. As it's by Fujimoto, the story contains unexpected, emotionally devastating twists that further complicate the duo's lives. The movie, like the manga, is a beautiful dissection of the drive to make art for one another. The collector's edition is priced at $99 (but currently on sale for $65.99) and comes with both the 4K UHD and the Blu-ray of the film and a number of bonuses, including a 160-page book.
Image: GKIDS
GKIDS' release of Look Back will ship on Sept. 8.
Look Back is actually one of four movies from the GKIDS catalog that are getting new 4K UHD and Blu-ray releases. The other three films are Angel's Egg, Linda Linda Linda, and Love & Pop. While Look Back is the most recent release of the bunch, the rest are classics in their own right (if somewhat underrated).
1985's Angel's Egg is a cult classic due to the involvement of legendary Final Fantasy artist Yoshitaka Amano. Amano collaborated on the film with Ghost in the Shell director Mamoru Oshii. This one is a highly philosophical feature that benefits from the use of Amano's distinctive art to communicate some of the heady themes. The physical release costs $65.00 (on sale now for $49.99) and includes a talk by Amano and a new booklet. It will ship on Sept. 22.
Image: GKIDS
Linda Linda Linda is the platonic ideal of the "teenage girls finding themselves" movie. The 2005 film follows high school students Kei, Kyoko, Nozomi, and Song as they prepare to play in the school concert. The film is wonderfully shot with a soft eye that documents the realities of high school life in all its pain and joy, all of which feels like the most important thing in the world when you are in it. The title song is also a delightful earworm. The collector's edition costs $65.00 (on sale now for $49.99) and includes a behind-the-scenes featurette. Linda Linda Linda will ship on Aug. 25.
Image: GKIDS
Last, but not least, is Love & Pop. This cult 1998 film follows a group of high school girls who go on dates with older men for money. The main character, Hiromi, spends the film trying to earn enough money to buy a piece of jewelry before the mall closes. The handheld digicam cinematography of Love & Pop is incredibly unique and makes it feel squarely like a product of the '90s (in a good way).
Most notably, however, is the director and co-writer of Love & Pop: Hideaki Anno. The film marked the live-action directorial debut of the Neon Genesis Evangelion creator, and it was also his immediate directorial follow-up to the anime series he is most known for. The collector's edition costs $29.99 (and is not on sale). It includes a bonus feature titled "Hideaki Anno: Evangelion and Love & Pop." It will ship on Oct. 6. %!s()
The Reasonable Doubt anniversary rollout is a case study in how artists, labels, and estates are turning old albums into merch drops, museum moments, and live-event spectacles
There’s a pleasant absurdity to the advertisements for JAŸ-Z30 that are currently found across New York’s subway tunnels. Their dramatic imagery — a stark black backdrop pierced through the center with a pair of hands, presumably Jay’s, fixed into the famous Roc diamond — invites a kind of religious authority that feels a touch ironic for anyone who’s old enough to remember all types of handwringing over those very hand symbols only a few years ago. And maybe that’s the point. By now, nostalgia’s grip extends layers deep. So much so that you could find yourself waiting for the train, reminiscing on the days when people still made jokes about the so-called Illuminati.
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Jay-Z’s months-long campaign commemorating the 30th anniversary of Reasonable Doubt and the 25th anniversary of The Blueprint has indeed resurfaced the rapper-turned-mogul’s success story. Reasonable Doubt, released in 1996, positioned Jay as not only a resonant voice in hip-hop but also in the increasingly lucrative business around it. After major labels passed, the album was released independently through Roc-A-Fella Records and Priority Records, setting the tone for Jay’s career as a business…man.
And in the full-court press campaign around this summer’s anniversaries, culminating in this weekend’s trio of performances at Yankee Stadium, Jay’s business acumen is again at center focus. You’d be forgiven for throwing around buzzwords like “multichannel” or “cross-platform” to describe the slate of festivities. There’s the upcoming 8-part docuseries on HBO; there was a Spotify-backed takeover of the J and Z trains; custom JAŸ-Z30 subway maps and a Google Maps guide; commemorative Brooklyn Public Library cards; and most recently Bowery Station and DUMBO pop-ups with archival footage and merch. (That these Yankee Stadium shows come on the heels of Taylor Swift’s wedding at MSG suggests some sort of mega-rich takeover of cultural institutions, but let’s leave that one for another day.)
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The moves come as nostalgia continues to drive a considerable chunk of the music industry’s profits. In an era when old songs can circulate infinitely on streaming platforms, gaining new life in the form of everything from samples to memes, and when superfans are willing to spend on physical goods, limited merch, and live experiences, album anniversaries have become their own product launches. Jay-Z’s Reasonable Doubt campaign is only the splashiest recent example.
No wonder, then, that Beyoncé already appears to be setting the stage for her own run of commemorations for the upcoming 20th anniversary of her album B’Day in September. Over the weekend, she released her first new song in two years, titled “Morning Dew (Donk),” to tease the upcoming reissue. According to Luminate, older music still dominates attention, with only 43 percent of U.S. on-demand audio streams in 2025 coming from tracks released in the previous five years. This is also one reason why vinyl and physical formats have seen renewed value in recent years, with the RIAA reporting that vinyl sold 46.8 million units in the U.S. in 2025, compared with 29.5 million CDs. Luminate says superfans are 20 percent of U.S. music listeners and spend heavily on live events and physical merchandise; 73 percent of these fans purchase physical merch, versus 26 percent of general music listeners.
In today’s industry, having a major anniversary is like having a new product to promote, a way to participate in an already thriving marketplace for nostalgia. The demand is visible well beyond official artist stores: Vintage concert tees now trade as collectibles, with one 1967 Grateful Dead shirt selling at Sotheby’s for $19,300 and rare rap tees treated as wearable archives of hip-hop history. Anniversary campaigns give artists and labels a way to reclaim that energy, turning the secondary market’s appetite for old symbols into new, officially sanctioned products.
Jay-Z’s official anniversary store turns that logic into a menu of objects: a $1,500 collector’s crate, a $300 cassette box, $400 Yankees jerseys, and four-figure varsity jackets. Of course, Jay is far from alone when it comes to legacy acts cashing in on nostalgia. He’s more like one salient example of a much larger wave of artists and promoters marketing anniversary products that includes the Smashing Pumpkins’ Mellon Collie and the Infinite Sadness 30th anniversary super-deluxe edition, My Chemical Romance’s Black Parade stadium tour, and the returned Warped Tour, among many others.
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Five years before Reasonable Doubt became the occasion for library cards and stadium shows, its 25th anniversary was marked by an NFT. In 2021, Sotheby’s and Roc Nation auctioned a one-of-one Derrick Adams artwork tied to the album, billed as the only official Jay-Z-authorized commemoration of the anniversary. Around the same time, Roc-A-Fella was in court over co-founder Damon Dash’s attempted sale of a Reasonable Doubt-related NFT, a dispute that ended with a judgment making clear that no shareholder could sell or dispose of an interest in the album — including through an NFT — without the company’s authorization.
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That ownership question is becoming harder to avoid as music enters the AI era, where the archive is not only something to reissue but something that can be modeled and trained on. Last week, SZA took to Twitter to express frustration with AI music company Suno, notably calling out Diplo by name as one of the company’s investors. “DO NOT GIVE AWAY YOUR VIBRANIUM !!! DO NOT TRAIN AI WITH YOUR GENIUS,” she wrote on Twitter. Her complaint was joined by Kenneth Blume, who said Suno’s workers were “stealing from countless struggling musicians.”
For an artist with a legacy as impactful as Jay-Z’s, the current anniversary boom feel like the latest phase of a longer project of deciding who gets to turn hip-hop history into intellectual property. Jay-Z’s legacy deserves preservation; few catalogs have made a stronger case for it. But the more that preservation arrives through limited-edition objects, auction platforms, luxury merch, and authorized experiences, the more it has to answer a harder question: When does protecting the archive become another way of extracting value from it? %!s()
Cuba on Monday suffered its third nationwide power outage since the start of the year, the state electricity company said.
The impoverished island was already struggling to keep the lights on before the US president, Donald Trump, imposed an oil blockade in January, which has depleted the already dwindling supply of fuel for Cuba’s power plants.
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“There has been a total disconnection from the national electricity generation system,” the UNE power utility wrote on X, adding that it was investigating the causes.
“Living like this is agony,” said Meyboll Font, a 51-year-old self-employed social media community manager.
Font said that her Havana neighbourhood has been surviving on just “three or four hours of power a day” but that the blackout was worse because “you never know when it (electricity) will return.”
“We have no wifi, no electricity, we can’t work,” said a young software programmer working for a tourism startup in another neighbourhood.
The blackout is the eighth on the island of 9.6 million people since late 2024.
The state has imposed increasingly draconian power cuts across the country – over 24 hours at a stretch in parts of Havana and over 70 hours in some rural areas – in an increasingly desperate attempt to conserve fuel.
Power outages have been a feature of life for years on the communist-run island, where the electricity generation system, composed mainly of ageing Soviet-era plants, is in shambles.
The pace of blackouts has accelerated since the fuel blockade began, however, with authorities citing a lack of fuel to run the generators that support the creaking national grid.
Since January, Washington has only allowed one oil tanker, from Russia, to dock in Cuba.
The blockade, coupled with a flurry of sanctions on the Cuban state and foreign companies that do business with it, have tipped the country closer to the brink of collapse. Food, drinking water and medicine are in increasingly short supply, prompting the UN to warn of a humanitarian emergency.
The government has invested heavily in solar energy to try to alleviate the electricity shortages but solar power, while increasing, still represents just 10% of the energy mix. %!s()
J.D. Power, a 2021 Bentayga V8 that stickered at $177,000 now carries an average retail value of $114,800, with rough examples dipping to $95,600 and the great-condition cars commanding $134,900. Against the base MSRP, that average value works out to a loss of roughly $62,200, or about 35% in five years. Meanwhile, Kelley Blue Book (KBB) pegs private-party values for a good-condition 2021 V8 Bentayga between $107,000 and $119,000. Classic.com confirms these estimates, showing that the average 2021 V8 Bentayga usually sells for between $100,000 and $120,000.
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However, real-world losses could be even bigger for owners who opted for the pricier W12 that later joined the V8 for the 2021 model year along with a plug-in hybrid — especially because almost nobody bought a Bentayga without options. Across all three trims, CarEdge estimates that an as-equipped 2021 SUV that cost $224,333 new now has a value of $122,094. That means that a typical first owner of a high-spec 2021 Bentayga watched more than $100,000 evaporate over the last five years. Meanwhile, iSeeCars says the Bentayga sheds 42.7% of its value over five years — roughly in line with the 43.6% segment average. However you slice it, that's a six-figure hit — catastrophic for the first owner. But is it an opportunity for you?
Why did the 2021 Bentayga lose so much value?
The high-end luxury SUV segment has always been defined by steep initial prices and options packages that rarely translate to the second-hand market. Two years ago, we covered a story of one W12 Bentayga owner paying $2,300 per month in depreciation alone, and the car in question had almost $60,000 in paint and options. Bentley's own First Edition package — which bundled the Naim audio system, Touring Specification, and Dynamic Ride — pushed the V8 Bentayga's MSRP from $177,000 to $219,430 – a $42,430 premium. The Mulliner Driving Specification alone added $15,515.
The thing is, someone ordering a brand-new, high-spec Bentayga isn't sweating dollar amounts the way a second-hand shopper is. As iSeeCars Executive Analyst Karl Brauer explained in Forbes' coverage of the firm's depreciation study, "the used car market doesn't prioritize those traits to the same degree." A used buyer of a five-year-old Bentley faces servicing costs — nearly $2,000 a year on average, according to CarEdge — without the safety net of the three-year factory warranty.
The Bentayga has also been Bentley's best-selling model year after year, accounting for 40% of the brand's global sales in 2021, which means it isn't rare, and abundant supply drives used prices down further. Not to mention, the competition within this segment is strong, and the Bentayga shares plenty of hardware with the Audi Q7 and Porsche Cayenne – a fact that doesn't sit well with buyers paying Bentley money — which further drives prices down as the vehicles age.
Is a used 2021 Bentayga V8 worth it now?
While buying a brand-new 2021 Bentley Bentayga wasn't exactly a sound financial decision, buying one with five years' worth of depreciation already in the rearview mirror is a different proposition. CarEdge even rates the 2021 model year as one of the better values in the Bentayga range, since the steepest part of the depreciation curve is already behind it.
When we asked our readers which new cars are great value options, we also noted that value is relative. The Rolls-Royce Cullinan is often viewed as a Bentayga competitor, yet it costs twice as much when new. In 2026, there are used 2021 Bentaygas with asking prices under $100,000 listed for sale — almost one-fifth of the price of a new Cullinan. Suddenly, the numbers are starting to look somewhat more bearable. Whatever you do, go in with your eyes open. The factory warranty is long gone, and while purchase prices have gone south, running costs move in the opposite direction as the car ages. A single out-of-warranty repair on an SUV this complex can sting. Smart money buys the cleanest, best-documented example it can find and lets the first owner's $100,000 pay for the badge. %!s()
MOONACHIE, NEW JERSEY - NOVEMBER 16: Macy's unveils the new fleet of floats joining the 95th Annual Macy's Thanksgiving Day Parade® on November 16, 2021 in Moonachie City. Pictured is Magic Meets The Sea float. Captain Minnie Mouse is at the helm as Disney Cruise Line’s float makes its maiden voyage in the Big Apple! Modeled after their newest ship, the Disney Wish, which will set sail next summer, it features classic filigree trim on the bow; plus, Mickey-shaped porthole mirrors allow spectators to see themselves on a Disney cruise. (Photo by Eugene Gologursky/Getty Images for Macy's, Inc.)
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Getty Images for Macy's, Inc.
Disney Cruise Line is known for its high level of entertainment across its growing fleet. But nowhere is that more evident than with the Wish class of ships, which brings a whole new level of storytelling to guests sailing with Mickey and his pals. And entertainment isn’t relegated to just the Walt Disney Theater on these new ships.
“The Wish class of ships really gave entertainment an incredibly unique opportunity. Our [Walt Disney Imagineering] partners gave us this gift of a gorgeous class of ships, each of which is rooted in a totally different visual identity related to specific story worlds. There’s nothing more exciting for us as an entertainment team than to get a new prompt to respond to,” says Jenny Weinbloom, vice president of live entertainment for Disney Signature Experiences.
Weinbloom says while the classic Disney ships (Disney Dream, Disney Fantasy, Disney Wonder and Disney Magic) allow any character to live in them, the Wish class has dedicated themes rooted in a specific world. “That gives us the opportunity to play in a significantly more immersive sandbox with the kind of entertainment that we’re creating,” she explains.
The Building Block Of Entertainment
Disney Wish Grand Hall
Disney Cruise Line
The Disney Wish, the first in the class, is known for its beauty and opulence, which mainly allows for princess stories, as seen in the Frozen-themed dinner show, the Little Mermaid theatrical production, and royal storytellers who share the lore of the princesses throughout the cruise. Wish really pushed Disney creatives to tell stories in new ways, but that has only been amplified as the Wish class of ships has continued to develop.
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“We didn’t know it at the time, but some of the content that we produced on Wish was really proof of concept for new kinds of entertainment that would really blossom more fully on the Treasure, Destiny and into the future,” explains Weinbloom.
One of the biggest evolutions of storytelling on Disney Cruise Line has come from the Grand Hall. On Disney Wish, the Cinderella and enchantment motif is beautiful, but it’s really more of a theme than a big storytelling moment. But as Treasure and Destiny were developed, Weinbloom says it was a big turning point for the team.
“I will admit there were moments in the early days of the development of Destiny when the team looked at that beautiful Wakanda theme in the Grand Hall and thought, ‘How are we going to do this? How are we going to tell a diversity of stories in a space that feels deeply connected to such an iconic character who comes from such a specific and singular world,’" says Weinbloom.
The outcome is a thread of storytelling that begins with Loki taking the helm of the Grand Hall at the start of the cruise and having meaningful moments with guests through interactions, side missions, and small pop-up shows. Throughout the cruise, Loki, along with other villains, takes their place in the Grand Hall, and not to spoil the ending, but the villains and anti-heroes don’t succeed in completely taking over as Black Panther comes to take his place as king. For Weinbloom and her team, the idea of having meaningful interactions with characters that can build over time was important.
Taking A Risk On New Original Characters
The Disney Destiny introduces two traveling storytellers in the Grand Hall and beyond, Zayah and Gamble, whose enchanted trunks react to the powerful energy and magic of classic Disney villains. Zayah, a fortune teller, will make predictions and weave tales with the help of a mysterious book, while Gamble will conjure adventures with his collection of mystifying potions and elixirs. (Disney)
Disney Cruise Line
On Disney Cruise Line, guests may encounter iconic Disney characters like Mickey Mouse and Goofy. Still, with Treasure and Destiny, Disney took a risk bringing a new set of original characters: Coriander and Sage, and Zayah and Gamble, respectively. These new characters act as traveling storytellers and are “the connective tissue,” as Weinbloom calls them, for the different stories that take place in the Grand Hall and around the ships.
“We’ve really, for the first time, opened the question of can you build a relationship that's deep with an original character, with a new person you're meeting who doesn't come from an existing story world, but is native to the ship and is part of your experience,” says Weinbloom.
Throughout a cruise, guests may find these storytellers in the Grand Hall sharing a beloved Disney story like Aladdin or Encanto, in the adults-only entertainment venue reenacting every Marvel or Indiana Jones movie, or simply walking around making small talk and swapping secrets with families.
“Guests really just love engaging with these characters and want to spend more time with them and are really responding well to their way of playing with guests,” she explains.
The Larger Story Being Told
Aboard the Disney Treasure, Disney Cruise Line’s newest ship, the vibrant town of Santa Cecilia awakens at Plaza De Coco, the first theatrical dining experience themed to the Disney and Pixar film, “Coco.” Miguel and his familia take guests on a colorful, music-filled journey that celebrates treasured family memories and togetherness with a festive dinner menu that offers a modern twist on traditional Mexican fare. (Kent Phillips, photographer)
(Kent Phillips, photographer)
While Treasure and Destiny all have specific themes that are showcased around the ships- adventure and heroes and villains, respectively- for Weinbloom’s team, there’s often an underlying theme that reveals itself over time. “We find ourselves having a moment during the install or preview period, when we’re really finally able to see the big picture and see how these entertainment experiences come together, and we suddenly notice there's a theme here that we didn't previously notice, that's moving through multiple entertainment offerings,” she says.
On Disney Treasure, that underlying theme is family. While the ship is themed around adventure and characters who go on grand adventures, each of the larger entertainment moments really comes back to family, whether that’s relatives or chosen family. These themes are most visible in venues like the dinner show Plaza de Coco and the Walt Disney Theater, where Disney The Tale of Moana is performed. Both shows have a strong sense of family and remembering those who came before us. And even the final goodbye show with Coriander and Sage features a strong emphasis on family.
Destiny still focuses on family, especially in the Pride Lands: Fest of the Lion King dinner show. “The invitation to be aware of the larger ancestry that you’re a part of, the larger family story that you're a part of. I think it's really profound. I think it's really powerful, and I don't mind if folks don't necessarily engage with it at that level, but it's absolutely there for them if they choose to,” says Weinbloom.
But what makes Destiny even more interesting is that, besides family, which Disney Cruise Line will always feature in some way onboard, the ship’s underlying theme focuses on the individual.
“Destiny Discovered, at the end of the Destiny experience, Ziah and Gamble have a moment where they get to anchor us in a big theme of the choices that we make and that those choices are what define us, nothing else,” says Weinbloom. “I just love that we have that opportunity to tie up your experience with a little bit of a thesis statement that draws your attention to something that we’ve woven throughout.”
The Disney Believe and Beyond
Fittingly revealed during an exciting moment of optimism and transformation for the company, the next ship in the Disney Cruise Line fleet will be named the Disney Believe, honoring the dreamers and doers who dare to pursue their own happily ever after. (Disney)
Disney Cruise Line
As with Wish, Treasure and Destiny, the upcoming Disney Believe will feature many of the same entertainment styles. Weinbloom says, “Fans of the Wish class of ships and the entertainment that you see on those ships will be really, really excited by what we offer on Believe.” %!s()